library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_14 In this lesson, Kevin P McAuliffe talks about working with basic transitions in your timeline. He shows you the long way, and the short way to access the effects, and also shows you everything you need to know to adjust transitions once they’ve been applied in your timeline, as well as quick ways to…
Webinar hotsed by Avid Technology featuring eyeon Software Products include Connection 1.5 to Fusion 6.4 Presented by Jeff Krebs Thank You to Eric Westphal, Blazej Floch and Matt Feury
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting them combine footage from the scene with material on the Interplay Production system. For quick turnaround, proxies of finished edits can precede upload of full resolution media, all becoming available…
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for hiding jump cuts.
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for using the Quick Trim tools.
Manhattan Edit Workshop Director of Education Janet Dalton’s Tutorial for Filling Titles With Video in Avid Media Composer 6.
This short tutorial from Igor Ridanovic walks you through basics of custom configuration of the new Avid transport surface in DS v11.
Media Composer 6.5 Family is designed to eliminate bottlenecks, enabling you to work faster than ever. See what’s new in Media Composer 6.5 Family http://www.avid.com/US/products/media-composer/features?cmpid=70140000000UMm0
An Avid editor recently inquired regarding how to draw a custom shape to create an alpha in Avid FX. Boris FX Senior Product Manager Dirk De Jong created this screencap to show how it’s done. You can view the original Avid Community Forums thread at http://community.avid.com/forums/p/112470/651199.aspx
There was a huge buzz in the industry when we released Media Composer® 6, Symphony™ 6, and NewsCutter® 10 last year with 64-bit performance, third-party I/O workflows, stereoscopic 3D, hands-on Artist Series controller support, and a slick new interface. And now they’re even better—meet the new Media Composer 6.5 family, featuring: • New versioning and…
ProTools|HD Native is a new generation of Pro Tools|HD system that enables you to compose, record, edit, and mix music and/or sound for picture—with great speed and ease. Consisting of an HD Native Thunderbolt interface or PCIe core card, Pro Tools HD software, and Pro Tools HD Series interface, Pro Tools|HD Native harnesses the power…
Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting them combine footage from the scene with material on the Interplay Production system. For quick turnaround, proxies of finished edits can precede upload of full resolution media, all becoming available…
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_13 In this lesson, Kevin P McAuliffe walks you though the basics of editing, and discusses one of the most fundamental processes all editors need to understand, and that is 3-point editing.
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