Creating Dailies in Davinci Resolve for Avid Media Composer (Part 2/7)
Step 2: Creating and managing export timelines in Resolve Learn how to create timelines in Resolve, and add data burn-in in preparation for export to
Step 2: Creating and managing export timelines in Resolve Learn how to create timelines in Resolve, and add data burn-in in preparation for export to
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
This 8-minute video shows an example of how to use the new features of Waveform Sync in the timeline, and the new Create Group From
Prepping your media 0:09:17 Grouping footage in Avid0:14:43 Timecode0:18:57 Multi-Groups0:21:17 Stacking0:35:51 Media Composer 2018.121:13:39 Creating a day stack1:01:40 Syncing multiple cameras and external audio1:58:52 Creating
This is a very good video going through most you need to know about Assistant Editing for Reality Television Video is almost 5 hours long,
In this lesson, Kevin P McAuliffe talks about the newest updates to Boris Continuum Complete 2019’s Title Studio. This first, in a multi-part tutorial series,
Tired of grouping clips by hand? Wish there was a better way to collapse all of your video tracks into one? Look no further! Avid
Wish there was a better way to sync your audio to your video files? With the newest update from Avid Media Composer we get just
Tired of using boring, simple titles? In this tutorial, I’ll explain how you can use some of the most basic elements in Avid Media Composer
New! Continuum 11 for Avid is Now Available Continuum 11 delivers major new tools to Avid editors! New! Primatte Studio: Academy Award-nominated chroma key tech
This course goes into detail about IO, Performance, drive speed, USB, Thunderbolt, Network, and things to consider about performance and bandwidth.
The first video in a six-part series featuring colorist and finishing editor, Mike Nuget.
This video explains locked and unlocked tracks in Avid Media Composer. It is a companion tutorial for Lesson 4 of the Mastering Avid Media Composer’s
A brief overview video of the NewTek NDI broadcast feature that was added to Media Composer in 18.7. It’s just about three and a half
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See how you can use the Continuum Pan and Zoom filter inside Avid Media Composer to: -Crop and reframe hi-res images -Animate pan and zoom
Everything you need to make tutorials, FOR FREE! Free screen recorder, free ASIO audio recorder, free video editor! This video focuses on recording audio
Ignite Express is FREE video effects package that will work with Media Composer, Premiere Pro, Final Cut, and other NLE’s. You will get blurs, color
In this lesson, Kevin P McAuliffe continues our look at learning Media Composer | First by talking about working with Basic Transitions. We cover everything
In this lesson, Kevin P McAuliffe discusses the newest release of Media Composer, 2018.7, and with it comes one of the first big promised features
Who needs plug-ins when you have the paint effect? This tutorial will explain how you can re-create a glitch effect to transition from one shot
The BCC Broadcast Safe is the best way to ensure that all of your Avid Media Composer projects are color and luma safe for delivery
If you use the Avid Application Manager (AAM) to download or update Pro Tools, Media Composer, or AAX plug-ins, it’s essential to know where those
Not many editors seem to know about top and tail editing. Boiled down, a top edit cuts out everything to the left of the play
Media Composer will let you customize the interface with different colors for many things. One of those is the color of your bins where your
This shortcut is not fancy, it doesn’t make your clips look better, but it can potentially save you a ton of time and work. Ctrl
Avid Media Composer works differently from Adobe Premiere, Hitfilm, Final Cut, and every other NLE. Once you understand the basic concept of Media Composer, you
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You don’t have to add effects directly on clips in Media Composer, there are many situations where placing an effect ABOVE a clip(s) is helpful
Learn about Magic Sharp for Avid Media Composer. The Magic Sharp filter is part of Continuum from Boris FX. This video is an introduction to
In this lesson, Kevin P McAuliffe continues the discussion on 8K/4K/2K workflows by discussing Relinking, and how you’ll use it, much more successfully than in
How to quickly add an effect to multiple clips in Avid Media Composer. When you want to add the same effect to multiple clips in
Learn more about Sapphire and download a free trial: https://goo.gl/2LcKxi The possibilities are endless with Sapphire, the VFX plugin suite from Boris FX. Sapphire’s legendary
Quick Tips and Tricks to Take Your Next Stop Motion Project to the Next Level! The Animatte Tutorial I discussed in the video: https://www.youtube.com/watch?v=jAGcd… Software
How to automatically open the Effect Editor when placing an effect on a clip in Avid Media Composer. The default way to get to the
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There is no razor tool in Media Composer! In order to cut/split a clip, you want to use ADD EDIT ? Fine tune your position
How to change the track height/size in Avid Media Composer. The quickest way is to use the keyboard shortcut; Ctrl+L for Enlarge and Ctrl+K for
Learn more about Sapphire and download a free trial: https://goo.gl/2LcKxi The possibilities are endless with Sapphire, the VFX plugin suite from Boris FX. Sapphire’s legendary
For more from Boris FX, follow us: Facebook: https://www.facebook.com/borisfx Twitter: https://twitter.com/borisfx BorisFX: https://borisfx.com/ Sapphire: https://borisfx.com/products/sapphire/ Continuum: https://borisfx.com/products/continuum/ Mocha: https://borisfx.com/products/mocha/
How to change the highlight color in Avid Media Composer, and Source/Record colors. In Media Composer, when you select an item (clip, effect, track, etc…)
I this lesson, Kevin P McAuliffe goes in-depth into Media Composer’s 2K/4K/8K and higher offline/online workflows. If you are working in Media Composer in a
How to change the brightness of the interface in Avid Media Composer. The default setting is a light gray, you can change this in; Settings
More on the Sapphire S_SwishPan effect
More information on the S_WipeLine effect in the Sapphire plugin
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