Version and archive finished sequences with AS-02 With support for the AS-02 MXF mastering format through AMA, managing multiple versions of the same sequence is
Many people don’t realise the power of Media Composer’s ability to have effects on ‘filler’ – it’s a lot like an adjustment layer in Photoshop.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_14 In this lesson, Kevin P McAuliffe talks about working with basic transitions in your timeline. He shows you the long way, and the short
Webinar hotsed by Avid Technology featuring eyeon Software Products include Connection 1.5 to Fusion 6.4 Presented by Jeff Krebs Thank You to Eric Westphal, Blazej
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for hiding jump cuts.
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for using the Quick Trim tools.
Manhattan Edit Workshop Director of Education Janet Dalton’s Tutorial for Filling Titles With Video in Avid Media Composer 6.
This short tutorial from Igor Ridanovic walks you through basics of custom configuration of the new Avid transport surface in DS v11.
Media Composer 6.5 Family is designed to eliminate bottlenecks, enabling you to work faster than ever. See what’s new in Media Composer 6.5 Family http://www.avid.com/US/products/media-composer/features?cmpid=70140000000UMm0
An Avid editor recently inquired regarding how to draw a custom shape to create an alpha in Avid FX. Boris FX Senior Product Manager Dirk
There was a huge buzz in the industry when we released Media Composer® 6, Symphony™ 6, and NewsCutter® 10 last year with 64-bit performance, third-party
ProTools|HD Native is a new generation of Pro Tools|HD system that enables you to compose, record, edit, and mix music and/or sound for picture—with great
Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_13 In this lesson, Kevin P McAuliffe walks you though the basics of editing, and discusses one of the most fundamental processes all editors need
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_12 In this lesson, Kevin P McAuliffe wraps up his look at the main settings you will need to get up and running in Media
In this Boris TV episode, Kevin P. McAuliffe shows you how to remove flicker from video or fix pesky auto-iris camera issues using Boris Continuum
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_11 In this lesson, Kevin P McAuliffe shows you the last two “common” ways to bring footage into Media Composer, and that is importing and
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_10 In this lesson, Kevin P McAuliffe discusses probably the most important setting, and that is the keyboard setting. He also shows you, how in
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_9 In this lesson, Kevin P McAuliffe talks about export settings, and how with a little forward thinking, you will be able to create multiple
Steve Holyhead demonstrates the use of images and logos inside Titler Pro and Avid Media Composer.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_8 In this lesson, Kevin P McAuliffe talks about organizing your editing interface by adjusting your Composer settings. These settings, if used and set correctly,
In this tutorial, Steve Holyhead shows us how to create main titles and custom transitions inside Avid Media Composer.
In this tutorial, Steve Holyhead shows us how to create lower thirds using NewBlue Titler Pro inside Avid Media Composer.
Steve Holyhead demonstrates the power of Titler Pro inside Avid Media Composer in this tutorial covering Titler Pro basics and templates.
The newly released DS v11 shares off-the-shelf AJA driver with Media Composer 6 or any other third party application that can utilize video and audio
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_7 In this lesson, Kevin P McAuliffe picks up right where he left off in part 1, and shows you how to log clips for
You may have heard about the ways in which Media Composer can save you copious amounts of time in the editing suite. Now we’d like
An overview of how to use eyeon Connection AVX2 for Media Composer/Symphony See the eyeon Connection manual for complete product details http://eyeonfusion.vfxpedia.com/downloads/Connection_Install.exe
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_6 In this lesson, Kevin P McAuliffe continues his talk about settings, this time talking about the capture setting, and he gives a tour of
eyeon Connection for Avid Media Composer and Avid Symphony
Excerpt from Avid 6 Core Training by Steve Kanter
You probably know that Media Composer is the professional’s choice for video editing but you might be wondering about its big brother, Symphony. Now see
Follow Matt on Twitter – http://twitter.com/MattFeury In our 40th episode of The Rough Cut, Matt sits down with Producer and Director, Doug Liman (Swingers, The
Media Composer 6, Symphony 6, and NewsCutter 10 all feature some important updates and enhancements to the Keyframe Editor. Find out what changes we made—and
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to Avid’s Media Composer 6. You will get a basic overview of the application
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to some basic trimming techniques in Avid Media Composer 6.
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
Learn how to create a customized wind blur effect using Avid Media Composer’s paint functionality
On May 17, 2012, Steve Holyhead demonstrated how to create stunning light effects with Boris Continuum Complete 8 AVX. Attendees learned how to create cinematic
I’m using Symphony 6 here but the workflow is identical in Media Composer. Start in Redcinex pro for a one light of the R3ds. Then
Works for all AVCHD cameras Make sure to download the AVCHD plugin from Avid’s website. It’s required for this workflow: avid.com/ama I’m using Symphony 6
Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback,
ARRI’s line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras
Working with Avid Media Composer 6 Title Tool – Excerpt from Avid 6 Core Training
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